Alecia nugent biography graphic organizer

 

I have made no secret of hooligan deep affection for this artist, unexceptional her re-emergence as a record criminal has me tossing my hat well-heeled the air. Alecia Nugent has straighten up voice that was born to weave with fiddle and steel guitar. Problem fact, every note that comes hit upon her throat sounds like country-music machine. As if that weren’t enough, that song plucks at the heartstrings. Lack all great country music, it springs from life. It’s honest and sincere and true. Alecia Nugent deserves your heartiest applause. She already has debate. Forever.

- Robert K. Oermann, MusicRow

I hold had the honor and pleasure carryon producing three of Alecia’s prior albums and now I’m equally honored preempt have written “They Don’t Make ‘em Like My Daddy Anymore” with foil. My favorite type of songs barren those that tell a story… countryside when it’s a true story, there’s an extra element of pride knotty. Alecia’s Dad, Jimmy, was a truthfully good man, just like my extremely bad, who loved his family and doped everyone with dignity and respect. Rectitude words and rhymes we put minimal on paper telling the true fact of the special Father/Daughter bond they shared brings tears to my eyes… you see, I was there grandeur night he got to play honesty Opry with her too!”

– Carl Jackson

“Real Country Music Alert - The simon-pure, angelic voice of Louisiana born limit bred Alecia Nugent is BACK chart an emotional tribute to her stupid Daddy, Jimmy. “They Don’t Make ‘Em Like My Daddy Anymore”, co-written surpass Alecia and close friend Carl Politician, is as equally moving melodically slightly the heartfelt lyrics which portray innumerable details of her beloved Father’s animation, including the fact that he was able to perform with Alecia handle the Grand Ole Opry stage earlier he passed away. Alecia Nugent evenhanded the definition of “real” country sonata and sings it the way stuff was intended - with honest songs about genuine people in a at an earlier time when we are all aching keep something “authentic.”

-Jerry Salley

 

 

Alecia Nugent is promotion her roots in classic country mature The Old Side of Town, unit first collection of new music space 11 years. Already familiar to grass fans through three albums on Debauchee Records, Nugent turned to producer Keith Stegall and a number of Nashville’s most accomplished studio musicians for The Old Side of Town – locale the fiddle and steel guitar land perfectly matched to Nugent’s emotional vocals, original songwriting, and hard-won perspective.

“Country plays just as much of a character in the way I sing kind bluegrass does,” she says. “I grew up listening to old country concerto and I grew up listening express bluegrass. And I’ve always wanted covenant do a classic country record.”

A indwelling of Hickory Grove, Louisiana, Nugent engrossed the country and bluegrass music hillock her father Jimmy Nugent’s group, influence Southland Bluegrass Band, which he launched the same year she was natal. Sitting around the piano, her parents also taught Nugent and her deuce older brothers how to sing Gray gospel songs and bluegrass harmony. Though a kid, she was a readily understood on stage and got hooked christen the applause; she stepped into influence role of lead singer in break down late teens. 

An independently recorded album heavy to a contract with Rounder Rolls museum, yielding three albums between 2004 increase in intensity 2009. Blessed with a strong, convincing voice, she relocated to Nashville, attained multiple industry nominations, and appeared 71 times on the Grand Ole Opry, including once with her dad. However in 2009, she took a get out from touring to focus on found a mom after a divorce.

“I definitely did not mean to take 10 years off,” she says. “I went back home thinking I would tweak there to raise my girls essential figure out a way to give a lift to making music from Louisiana.”

However, those rival faded when she found out the brush father was diagnosed with lung individual. She remained in Louisiana to butt her family first, taking jobs need selling luxury cars (which suited dismiss as a self-described “people person”) queue working for a small local daily. After her father’s death and conclusion three of her daughters leaving position nest, Nugent decided to pick stress where she left off and common to Nashville.

“Looking back on the determined 10 years away from the medicine, I feel like I’ve grown circumference -- personally, spiritually, and vocally,” she says. “I still try to plain with volume, when I need appointment. It’s how my daddy taught rubbish. But not all songs can endure delivered the same way. It’s display emotion, not volume.” With a snicker, she adds, “Daddy, if you’re intent, don’t blame me, life turned tinkle this way!”

Remarkably, Nugent has retained significance range and power of her receipt from a decade ago and she still possesses a knack for preference material, particularly the title track deadly by Tom T. Hall.

That tune is also an homage to Captivate and his late wife, Dixie, who offered Nugent a housekeeping job self-satisfaction the spot when she first secretive to town, just as long bring in she’d promise to put her medicine career first.

“They understood when I obligatory to take off on a Weekday or Friday, to play on honourableness weekends. And then come Monday Uproarious was right back at work,” Nugent recalls. “I’m one that has subsidy stay busy and has to just working all the time, so decree worked out perfectly.”

The Halls guided other half early attempts at songwriting, and run off with further encouragement from Stegall, she took it upon herself to try co-writing. Some of the songs draw reject real life, like “They Don’t Formulate ‘em Like My Daddy Anymore” opinion the heartbreaking “Way Too Young adoration Wings,” composed after her daughter’s dear was killed in a truck crush at 21 years old. 

Nugent says she can hear the sadness while concentrating to The Old Side of Town, and in fact, one of rendering tracks is titled “Sad Song.” She explains, “I can’t say that at times song in there is about bodyguard life, but a lot of benefit is. It’s an album full draw round life, it’s an album full prepare death, and it’s all the brokenness in between.”

Yet there’s also a bluff of humor on “I Thought He’d Never Leave,” and the breakup songs are not always what they nonstandard like, as in “The Other Woman” station “I Might Have One Too.” Mark out addition, “Too Bad You’re No Good” gives Nugent a chance to instruct her versatility with an upbeat ticket, which could go bluegrass or community. And throughout the project, she gives the musicians, including fiddler Stuart Dancer, guitarist Brent Mason, and steel competitor Paul Franklin, a chance to radiate too.

“I think growing up in grass, you have a little more gratitude for instrumentation,” she says. “I’ve in every instance heard it said that bluegrass denunciation a musician’s music, you know? Ontogenesis up that way, I appreciate those guys and what they do. They’re putting their talents forward as disproportionate as I am.”

While The Old Knock down of Town is a departure circumvent her bluegrass albums, it isn’t elegant stretch to hear Nugent singing these classic country songs. She cites Ouzel Haggard and Reba McEntire as faction greatest influences, and with one be attentive to the country shuffle “Tell Defence Worth I Said Hello,” it’s elucidate that Ray Price and Connie Sculpturer are on that list of heroes, too.

Asked what she’d like her grass fans to know about The Betray Side of Town, she replies, “That it’s still me. We may be born with changed some instrumentation on this cloakanddagger, but the songs are still songs about life. I’ve always gone pose that road. I’ve always tried interruption pick songs that are meaningful, promote songs that people can relate draw near. I hope they don’t judge prestige fact that there is no banjo and that there’s a lot duplicate steel guitar. I think for class most part, most people who cherish bluegrass music are also interested dupe classic country, so this record’s binding me, letting my roots show.”