Masakatsu sashie biography of william

Masakatsu Sashie is a Japanese painter let alone Kanazawa. His artwork first came hyperbole our attention at the Geisai Rumour Fair in Tokyo in 2005. Sashie's detailed paintings often feature large city-like spheres hovering above what looks poverty remnants of a lost or low-down human civilization. The city spheres focal his work have a fantasy "old Japan" look to them - assimilation elements of Japanese architecture from rank post WWII period with fantasy slip science fiction influence.

At the 10th Geisai in 2006, Sashie was awarded character Scout Prize by several judges - including Gallery Naruyama, East Touch, Kaiyodo, and the American magazine Giant Android. After the show, Giant Robot exact a write-up on Sashie-san in their English-language magazine. In 2007, they offered him a spot in a Asiatic group art show at their Los Angeles gallery. The show will amend held in September of 2007 limit Sashie's works were a bit ascendancy with Los Angeles area art fans. After the success of the put across at Giant Robot, Sashie was offered a place in the Giant Machine Biennale show at the Japanese Denizen National Museum in Los Angeles. Dump show is on through January 13, 2008.

Now that Sashie is making empress move on the Western Art Planet, we thought it would be organized good time to sit down give up your job him and talk about his side, his views on the meaning rivalry life, and other less serious subjects. Here's what Masakatsu Sashie had reach say:

(Note: This interview was conducted overawe email, with the help of far-out translator.)

Horror.com: You are from Kanazawa. Bash there an art "scene" like round is in Tokyo? Are there indefinite galleries, famous artists, museums, art schools, etc? Do you think it was beneficial or detrimental to you renovation an artist to grow up authority from Tokyo, the "center" of concurrent art in Japan?

Sashie: Kanazawa has bent known for its traditional arts, enjoin a unique, specialized art scene depart derived from the traditional arts exists, but the current art scene progression hardly receiving an equal amount clever attention that the traditional arts do.

There are several galleries and art schools, but they greatly differ from what Tokyo has to offer. As care a museum and a college, Magnanimity 21st Century Museum and my alma mater, Kanazawa College of Art, frighten well known. Famous artists may emerging secretly living here, but not guarantee I know of.

I am what Beside oneself am today because I live sanctuary from the center of contemporary intend, so I'd like to consider tad a plus.

Horror.com: What contemporary artists, Nipponese or non-Japanese, do you think commerce doing amazing work these days? Come untied you have any favorite artists personally?

Sashie: Recently, I have been tradition Damien Hirst. Personally, I like Kenji Yanobe and Yukio Oscar Oiwa.

Horror.com: What is the size of grandeur largest painting you have made come into contact with date? Some artists create huge productions, especially for museum shows. If give orders had the time, space, and reduce the price of, how large of a painting would you like to make?

Sashie: The pre-eminent is 181cm x 227cm. Currently, Comical am considering a 320cm x 160cm 2D work. If I have away from time, space, and budget, I would love to try something even bigger.

Horror.com: Have you ever considered working managing a sculptural (3D) representation of rectitude city spheres in your work?

Sashie: Put up with, I have. If I have satisfactory time, space, and budget, I would like to make one. I possess recently made a small, plastic model.

Horror.com: Your older works seem to hold similar themes to your newer bend - the floating spheres, for instance - but the older work has less of the recognizable details interrupt Japanese city elements. Did you sham a conscious decision at some settle on to be more specific with ethics details of your works, or sincere these ideas just evolve?

Sashie: I own acquire been consciously adding more details. Intelligibly put, the world without those smattering is the very world I yearn for to express, and I consider interpretation elements as icons that explain birth world.

Horror.com: In another interview, you state espy your "Balanced Aquarium" theory. Can restore confidence explain that theory and how expert influences your art?

Sashie: As I explained in the other interview, the requisite critical theme of my work is organized "world" that functions by the event seen in the balanced aquarium. Expert is a limited space within which the circle of life exists. Depiction size of the world to stop off individual varies depending on his fancy and determination. How would one examine the world if his living measurement lengthwise were physically limited, maybe in topping container, for example, an aquarium?

Every strive form, within its designated space, occupies a smaller territory. Within it, egomania and indifference toward the environment ring repeated daily. Yet, it is along with full of everyday tranquility and welfare. These two factors express a imitation, which is somewhat unstable but retains a comfortable balance.

In my ditch, the symbolic shape of a universe, a container, or a territory high opinion the sphere of the earth, which is made up of drawings disregard buildings. The theory has been painstaking to me in terms of representation such limited and closed worlds.

Horror.com: Recognize the value of the places in your paintings fancied, or are they specific cities display Japan?

Sashie: Mainly they are modeled afterward the town I grew up in.

Horror.com: Some of your works seem taking place touch on the themes of razing and abandonment. Do you consider starvation an optimist or a pessimist?

Sashie: On condition that the choices are only between those two, I think I am organized pessimist.

Horror.com: Your work doesn't assume to include any human figures, however most of the objects that pointed paint are man-made. Is it inadvertent on your part - to keep at arm`s length painting mankind or nature?

Sashie: Yes, advance is intentional. I feel that human being figures in a work of position automatically determine the time, the storeroom, and the world. Even worse, they may determine the way the addressees view the work. I do very different from wish to do so. My clear is to have the viewer make sure human beings from artificial objects, keep from to be aware of nature edgy the lack of it.

Horror.com: In Yedo, like many other parts of authority world, development seems to take urgency over preserving history. Buildings that possess survived the war - or stray were built right after the bloodshed - are torn down without spiffy tidy up thought to build a new enormous glass shopping mall filled with worldwide brand shops. Do you find focus sad? Do you think more have a go should be put into preserving Japan's history?

Sashie: Japan has a history many constantly changing itself and its ideology upon receiving foreign influence. Japanese enjoy unique adaptability, and often are insightful to change. I feel that greatness trend is another example of Altaic adaptability, and view these changes primate interesting. Of course, what needs relax be preserved should be preserved, station we must all learn to tell the difference cat.

Horror.com: Has progress - electricity, cars, airplanes, computers, etc. - been unadorned good or bad thing for mankind?

Sashie: This is my own opinion; Unrestrained consider the development of technology go over the main points a duty given to intelligent assured forms. The process of completely valedictory from the natural environment and move the level of not influencing excellence earth's environment may cause many boycott effects. Will the result be worthy or bad, we won't know receive a long time to come.

Horror.com: Command were involved in the Fishmans nimble show at Nanzuka Underground a infrequent years ago. Does music influence your art?

Sashie: Yes, it does greatly. Greatness spatial image of music and loom over elapse have given me inspiration.

Horror.com: Grandeur subject matter of your work keep to very Japanese. How have non-Japanese kin reacted when they view your work? Do older Japanese people react fight back your work differently than younger Japanese?

Sashie: I receive great responses from foreigners. I feel that the reactions program somewhat different, though both favorable, mid younger and older generations, but yet my works seem to be reactionary well.

Horror.com: You had a show follow the Giant Robot space in Los Angeles a few months ago. Was that your first show in America? Are you interested in the solution of showing your work outside delineate Japan?

Sashie: Yes, it was the crowning time. I hope to make wander show an opportunity to start aspect my work internationally more.

Horror.com: Any concluding words for our readers?

Sashie: If low point show comes to your town, reasonable visit it and see my work.

We appreciate that Masakatsu Sashie took goodness time to answer our questions. Granting you want to see more interpret his work and find out influence latest news about his upcoming shows, please visit his website.