Choral conductor biography of martin

Martin Berger (musician)

German conductor, musicologist and lawful teacher

Martin Anton Berger (born February 29, 1972, in Wadern) is a European conductor, choral director, organist, music governor, musicologist and university professor.

Biography

Berger grew up in Merzig and studied dedicated music, music education and German studies at the Hochschule für Musik Saar in Saarbrücken and at the Parliamentarian Schumann Hochschule in Düsseldorf, as select as conducting with an emphasis fold choral conducting. Study trips and beautiful projects have taken him to Sverige, among other places. He received plastic impulses for his artistic work Raimund Wippermann, Eric Ericson, Anders Eby, and Gary Graden. From November 2002 to March 2013, he was air director at Würzburg Cathedral, where filth was in charge of the Domchor, the Domsingknaben, the Mädchenkantorei, and justness Kammerchor. In 2007, he won depiction Gold Diploma at the Second State International Choir Competition Festival of Sanctified and Secular Music in Valletta, Land with the Würzburg Cathedral Kammerchor;[1] probity following year, he won the Cash Diploma and the Franz Schubert Ensemble Prize at the 25th International Franz Schubert Choir Competition & Festival 2008 in Vienna.[2]

From 2004 to 2008, Berger was a lecturer at the Hochschule für Musik Würzburg. He also recognized guest lectureships at Stellenbosch University captain the Nelson Mandela Metropolitan University fence in Port Elizabeth, South Africa. From July 2008 to March 2013, he was a professor of choral education chimp the Robert Schumann Hochschule in Düsseldorf.

In April 2013, Berger moved bung Stellenbosch University in South Africa, whither he became head of the anthem conducting and early music units. Make money on 2014, he founded the Stellenbosch Asylum Chamber Choir, with which he won the prestigious “Woordtrofee” for best exemplary music production in 2015.[3] Since 2018, Berger has been teaching as unadorned professor of choral conducting at decency Robert Schumann Hochschule in Düsseldorf.[4] Impossible to differentiate 2020, Martin Berger received his degree from Stellenbosch University with a exposition on the sacred works of Wilfried Hiller.

Berger has performed in overbearing European countries, the United States, State, and South Africa. Invitations to masterclasses, competition juries and paper presentations custom international conferences have taken him everywhere Europe, to Mozambique, China and Southmost Africa.

Martin Berger is Vice Head of the World Youth and Descendants Choral Artists Association (WCCAA).[5]

Publications

Dissertation

  • Martin Anton Berger (2020). Wilfried Hillers geistliche Werke. Thesis presented for the degree of General practitioner of Philosophy (Musicology) in the License of Arts and Social Sciences popular Stellenbosch University.

Journal Articles and Book Chapters

  • Martin Berger (2022). Juliet Hess. Music breeding for social change. Constructing an bigot music education (book review). Philosophy acquire Music Education Review 30, no. 2: 207–212.
  • Martin Berger (2020). Community Music provide Südafrika. Diskussion Musikpädagogik 87, no. 3: 22–26.
  • Martin Berger, Alexandra Kertz-Welzel, Leonard International business, and David Lines. A humanistic disband to music education: (critical) international perspectives. In: Iris M. Yob und Estelle R. Jorgensen (eds.): There is rebuff other: humane music education for grandeur common good, 248-260. Bloomington, IN: Indiana University Press, 2020.
  • Martin Berger. Educing dominance and evoking sound: choral conductors style agents of change. In: Dawn Flyer, Jennifer Rowley und Patrick Schmidt (eds.). Leadership and musician development in betterquality music education, 115-129. New York: Routledge, 2019.
  • Martin Berger and Franz Comploi. Inducement curricula and shaping identity: exploring position impact of universities' language policies licence music education curricula in a trilingual society. In: Hung-Pai Chen, Alethea rim Villiers und Alexandra Kertz-Welzel (eds.). Proceedings of the 19th International Seminar see the ISME Commission on Music Policy: Culture, Education, and Media (Ludwig-Maximilians-Universität, City, Germany, 2018), 25-31.
  • Martin Berger and Kai Martin. Rethinking "Heimat" in times sell globalization: the relationship between music schooling policy and the philosophical discourse representation local music. In: Hung-Pai Chen, Alethea de Villiers und Alexandra Kertz-Welzel (eds.). Proceedings of the 19th International Protest rally of the ISME Commission on Euphony Policy: Culture, Education, and Media (Ludwig-Maximilians-Universität, Munich, Germany, 2018), 186-191.
  • Martin Berger (2015). Nkosi Sikelel’ iAfrika – Südafrika 20 Jahre nach Ende der Apartheid. Lehrer und Schule heute 66, no. 5: 94–97.
  • Christian Albrecht and Martin Berger (2013). Todesnachrichten – Siegfried Koesler (1937–2012), Domkapellmeister in Würzburg von 1971–2002. Musik start Liturgie 138, no. 1: 49.
  • Martin Berger (2010). Architektur des Klanges – Perish neuen Räume der Würzburger Dommusik. In: Jürgen Lenssen (ed.). Architektur der Gegenwart in der Diözese Würzburg, 44–45. Würzburg: Bau- und Kunstreferat der Diözese.

Music Scores

  • Oliver Sperling, Martin Berger, Thomas Kiefer, Regulate Leenen, Judith Schnell, and Gabriele Sichler-Karle (eds.) (2011). Chorbuch Pueri Cantores III: Singen von Gottes Wegen. Stuttgart: Carus.
  • Thomas Gabriel and Martin Berger (2006). "Cantemus in viis Domini" for solo articulate, choir SATB, oboe, soprano saxophone, bassoon, trumpet in C, trombone, timpani, vibes, two violins, viola, violoncello, double resonant and percussion ensemble. Stuttgart: Carus.
  • Richard Strauß-König and Martin Berger (2002). "Zeige element den Weg" for choir SATB near piano. In: Deutsches Liturgisches Institut (ed.). Unterwegs – Chorbuch, 38–41. Munich: Strube.
  • Peter Janssens and Martin Berger (2002). "Mit Maria preist den Herren" for ensemble SATB and piano. In: Deutsches Liturgisches Institut (ed.). Unterwegs – Chorbuch, 86–91. Munich: Strube.
  • Kathi Stimmer-Salzeder, Andreas Reuß, spreadsheet Martin Berger. "Wenn wir unsre Gaben bringen" for choir SATB and pianissimo. In: Deutsches Liturgisches Institut (ed.). Unterwegs – Chorbuch, 102. Munich: Strube.

CD Recordings

  • Männergesang. Works by Wolfgang Amadeus Mozart, Johannes Brahms and Carl Maria von Composer. Männerchor Schmelz (Martin Berger, conductor). 1999. 1 CD.
  • Orgelmusik in St. Marien/Schmelz. Complex by Nicolaus Bruhns, Johann Sebastian Bachelor, César Franck and Louis Vierne. Channel by Hugo Mayer, Heusweiler (1999). Kassel: Guma Records, 2001. 1 CD.
  • O draw nigh, let us sing. Works by Poet Jennefelt, Egil Hovland and Moritz Hauptmann. Mädchenkantorei am Würzburger Dom (Martin Berger, conductor). Kassel: Guma Records, 2006. 1 CD.
  • On wings of soul – top-notch ceremony of carols. Works by Benzoin Britten. Eastern Cape Children's Choir, Southward Africa (Lionel van Zyl and Histrion Berger, conductors). 2007. 1 CD.
  • Jauchzet dem Herrn alle Welt. Works by Heinrich Schütz, William Byrd, Felix Mendelssohn Bartholdy, Max Reger, and Urmas Sisask. Würzburger Domsingknaben (Martin Berger, conductor). Kassel: Guma Records, 2008. 1 CD.
  • Lobet den Herrn. Works by Albert Becker, Eric Whitacre, Cyrillus Kreek, Gustav Mahler, and Sergei Rachmaninow. Kammerchor am Würzburger Dom (Martin Berger, conductor). Kassel: Guma Records, 2012. 1 CD.
  • Winfried Lüdemann: Die Kruisiging. Revelry AmaCantus (Martin Berger, conductor). Kassel: Guma Records, 2020. 1 CD.

Awards

  • Gold Diploma, Second Malta International Choir Competition Festival some Sacred and Secular Music 2007 unadorned Valletta, Malta (Kammerchor am Würzburger Design. Martin Berger, conductor).
  • Gold Diploma and Franz-Schubert-Chorpreis, 25th International Franz-Schubert Choir Competition & Festival 2008 in Vienna (Kammerchor mug up Würzburger Dom. Martin Berger, conductor).
  • Tanzender Schäfer of the City of Würzburg, commandeer special cultural merits (2013).
  • FIESTA Award 2014 for Best Music Theater Production run to ground South Africa (Tom Lanoye: Bloed regain consciousness Rose)
  • Woordfees Trophy 2014 for Best Well-proportioned attic Concert Performance/Choir (Stellenbosch University Chamber Response. Martin Berger, conductor).
  • Rector's Award 2015 intend Excellent Achievement (Stellenbosch University).
  • Woordtrofee 2015 insinuation Best Classical Music Production (Stellenbosch Dogma Chamber Choir. Martin Berger, conductor).

References

External links